45 notes • 6:41 PM

Oh, my soul. Let me be in you now. Look out through my eyes. Look out at the things you made. All things shining.

(Source: terrymalicks)

20 notes • 1:54 PM

filmap:

Badlands
Terrence Malick. 1973

Bloom mansion
330 East Main StreetTrinidad 81082, Colorado
See in map

See in imdb

55 notes • 5:56 PM

I want to stay changeless for you. I want to come back to you the man I was before.

(Source: terrymalicks)

386 notes • 11:37 AM

"Terrence Malick’s new film is a form of prayer. It created within me a spiritual awareness, and made me more alert to the awe of existence. It functions to pull us back from the distractions of the moment, and focus us on mystery and gratitude."

-Roger Ebert

(Source: terrymalicks)

535 notes • 12:12 AM

perfectframes:

THE THIN RED LINE / 1998 / TERRENCE MALICK

(via aronofskie)

114 notes • 12:11 AM

herzogbaby:

Badlands Directed by Terrence Malick (1973)- Malick’s debut, the lyrical tale of two young lovers on the run, remains one of his most poignant and beautiful films. Martin Sheen and Sissy Spacek are perfect as the two alienated youths. Spacek is innocence, accepting the twisted “wisdom” of Sheen’s Kit, with an acceptance of all the good in the world. Her voice-over is haunting because of the killings taking place but it is also poetic. The astounding cinematography makes the American landscape irresistible yet imposing. It invites you in, to a more natural state, but is unforgiving and harsh. Kit’s more natural and animalistic state pulls him into the abyss, with Holly not far behind. The music, imagery, and the generally elegant way it is put together make it such a pleasant and almost uplifting experience at time but when the darkness at the heart of the film becomes more and more evident everything feels melancholic. Something about Malick’s point of view always seems surprisingly optimistic though. He’s kind of like the antithesis to Herzog when it comes to man’s relationship with nature, or at least it feels that way. I always come out of a Malick film, no matter what hardships and horrors the people have been through, with a good feeling of it seeming like wonderful things have been enlightened. Herzog often delivers the same thing but oftentimes it feels like he enlightens how humanity fails, while Malick has a bit of hope that some can be better. Simply as an experience Badlands is an excellent film. It flows so well and is always a pleasure to watch in every way, while also having so much impact.

(via ericrohmer)

579 notes • 10:27 PM
81 notes • 7:54 PM

perfectframes:

THE THIN RED LINE / 1998 / TERRENCE MALICK

(via jackcardiffs)

a-bittersweet-life:

Changes before your eyes, things you can do and things you can’t. My attitude is always let it keep rolling.

Terrence Malick

(via aronofskie)

802 notes • 9:54 AM
401 notes • 11:28 PM

room42:

"i think the devil was on the farm"

(gifset courtesy…)

(Source: d7ux, via onlygodardforgives)

242 notes • 5:49 PM

trilliumfilms:

DAYS OF HEAVEN (1978) Directed by Terrence Malick 

Cinematography by Nestor Almendros

 ”This farmer, he had a big spread, and a lot of money. Whoever was sitting in a chair when he’d come around, why they’d stand up and give it to him. Wasn’t no harm in him. You’d give him a flower, he’d keep it forever.” -Linda

(via ars-gratia-artis-22)

86 notes • 5:48 PM

cronophotography:

DAYS OF HEAVEN

DIR: TERRENCE MALICK

DP: NESTOR ALMENDROS

ADDITIONAL PHOTOGRAPHY: HASKELL WEXLER

ART DIRECTOR: JACK FISK

  • United States
  • 1978
  • 94 minutes
  • Color
  • 1.77:1
  • English

(via ericrohmer)

aronofskie:

I DP’d/edited this book adaptation that was written/directed by a friend for class this past semester. (see his other work here) We had zero budget and three 12-hour days for a 10 page script with 14 scenes. Literally the worst shooting schedule ever. Obviously there are tons of things I would have gone back to fix if we could but here it is for what it’s worth.

p.s. Working with new child actors you don’t know is more awkward than you’d think.

92 notes • 11:57 AM