305 notes • 3:48 PM
17,397 notes • 3:29 PM

ge0tic:

The Tree of Life (2011)

(via aronofskie)

allthingseurope:

Mont Saint Michel, France (by Patty Piturlea)

(via aronofskie)

aronofskie:

People are freaking out about gone girl and I’m just like

knight of cups where r uimage

" I wanted to be loved because I was great, a big man. I’m nothing. Look. The glory around, trees, birds. I dishonoured it all. Didn’t notice the glory, a foolish man. "
by The Tree of Life (via cinemavariety)

(via jackcardiffs)

69 notes • 6:41 PM

Oh, my soul. Let me be in you now. Look out through my eyes. Look out at the things you made. All things shining.

(Source: terrymalicks)

24 notes • 1:54 PM

filmap:

Badlands
Terrence Malick. 1973

Bloom mansion
330 East Main StreetTrinidad 81082, Colorado
See in map

See in imdb

63 notes • 5:56 PM

I want to stay changeless for you. I want to come back to you the man I was before.

(Source: terrymalicks)

750 notes • 11:37 AM

"Terrence Malick’s new film is a form of prayer. It created within me a spiritual awareness, and made me more alert to the awe of existence. It functions to pull us back from the distractions of the moment, and focus us on mystery and gratitude."

-Roger Ebert

(Source: terrymalicks)

574 notes • 12:12 AM

perfectframes:

THE THIN RED LINE / 1998 / TERRENCE MALICK

(via aronofskie)

125 notes • 12:11 AM

herzogbaby:

Badlands Directed by Terrence Malick (1973)- Malick’s debut, the lyrical tale of two young lovers on the run, remains one of his most poignant and beautiful films. Martin Sheen and Sissy Spacek are perfect as the two alienated youths. Spacek is innocence, accepting the twisted “wisdom” of Sheen’s Kit, with an acceptance of all the good in the world. Her voice-over is haunting because of the killings taking place but it is also poetic. The astounding cinematography makes the American landscape irresistible yet imposing. It invites you in, to a more natural state, but is unforgiving and harsh. Kit’s more natural and animalistic state pulls him into the abyss, with Holly not far behind. The music, imagery, and the generally elegant way it is put together make it such a pleasant and almost uplifting experience at time but when the darkness at the heart of the film becomes more and more evident everything feels melancholic. Something about Malick’s point of view always seems surprisingly optimistic though. He’s kind of like the antithesis to Herzog when it comes to man’s relationship with nature, or at least it feels that way. I always come out of a Malick film, no matter what hardships and horrors the people have been through, with a good feeling of it seeming like wonderful things have been enlightened. Herzog often delivers the same thing but oftentimes it feels like he enlightens how humanity fails, while Malick has a bit of hope that some can be better. Simply as an experience Badlands is an excellent film. It flows so well and is always a pleasure to watch in every way, while also having so much impact.

(via caryfuckmenowa)

598 notes • 10:27 PM
93 notes • 7:54 PM

perfectframes:

THE THIN RED LINE / 1998 / TERRENCE MALICK

(via jackcardiffs)

a-bittersweet-life:

Changes before your eyes, things you can do and things you can’t. My attitude is always let it keep rolling.

Terrence Malick

(via aronofskie)